Subtext and Discourse | Art World Podcast

The art world and associated market are famously opaque and can at times be exclusive. Berlin based gallery director and educator Michael Dooney speaks with artists, curators and other professionals who share their personal experiences of this unique field. If you have ever felt unsure about walking into a gallery, wish to understand more about creativity or better understand how this complex industry works, then tune in every second Monday to hear the insightful conversations with these inspiring individuals.

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Episodes

Sunday Oct 28, 2018

The interview with Kate Robertson & Jeffrey Noro was recorded with Michael Dooney on Saturday 29. September 2018 at Jarvis Dooney Galerie, Berlin.
First uploaded here: http://www.patreon.com/posts/subtext-ep3-kate-22330488
Hard to believe that is has already been a month since Berlin Art Week and the opening of the 8th EMOP Berlin, European Month of Photography festival. During that time we presented three significant solo exhibitions throughout the city:
Australian Embassy Germany: Derek KrecklerJarvis Dooney Galerie: Kate RobertsonKünstlerhaus Bethanien: Anne Zahalka
We were lucky enough to have both Kate Robertson and Derek Kreckler visiting Berlin during this very busy time, and took the opportunity to recording individual interviews with each of them. Sophie Dumaresq, who we exhibited a few year ago was also in Berlin for EMOP, an interview with her will also be online soon.
Kate Robertson is an artist we’ve been exhibiting since 2014 when we presented her series Celestial Body Model during our Transcendental abstract photography group exhibition, since then we’ve curated work from her Dust Landscapes series and Cosmic Walks into other shows, however this will be her first solo exhibition with us and also her first international solo exhibition.
RECORDING THE MEDICINAL PLANTS OF SIWAI, BOUGAINVILLE
This photographic series documents medicinal plants from the Siwai region on Bougainville Island (Papua New Guinea) at a time of significant change in its cultural and political landscape. It considers new photographic modes for sensitively engaging with deep and living histories, by aligning analogue and digital characteristics found within the image and local knowledge systems.
Lumen prints are created on location in a cameraless method, through a reaction between environmental elements such as sunlight and plant extractions and light-sensitive paper, resulting in a residual imprint of the plant's chemical properties. The lumen prints, in their latent state, journeyed to Australia for a digital “fixing” process and are translated into data through the scanography process.
The series acknowledges the communities (urgent) desire for equilibrium between traditional and new knowledge systems, to allow both to thrive in an increasingly global society.
Impressions of opening night, 28. September 2018www.facebook.com/pg/jarvisdooney/…1948345878560160
Artists talk and book launch, 1. October 2018www.facebook.com/pg/jarvisdooney/…1948358725225542
Installation shots at Jarvis Dooney Galeriewww.facebook.com/pg/jarvisdooney/…1962771417117606
EMOP BERLIN, EUROPEAN MONTH OF PHOTOGRAPHY
www.emop-berlin.eu/en/
www.facebook.com/emopberlin/
twitter.com/emopberlin
www.instagram.com/emopberlin/
JARVIS DOONEY GALERIE
www.jarvisdooney.com
www.facebook.com/jarvisdooney/
www.instagram.com/jarvisdooney/
www.twitter.com/jarvisdooney
www.patreon.com/JarvisDooney
KATE ROBERTSON
www.instagram.com/katerobertsonphoto/
www.kate-robertson.com/
MICHAEL DOONEY
www.instagram.com/michaeldooney/
twitter.com/michaeldooney_

Saturday Sep 08, 2018


On 2. September 2018 gallerist Michael Dooney sat down with German photographer Torsten Schumann (b.1975 Dresden, Germany) to find out more about his artistic practice and back story.
The interview coincided with the dual exhibition Autofokus with Torsten Schumann & David Schikora at Jarvis Dooney Galerie in Berlin.
“Torsten Schumann‘s photographs highlight the absurdity of life, that brief second in the day when chance creates a surreal juxtaposition, a moment of silliness, profundity, irony, a tell that exposes the world for what it is, a pointless journey towards inevitable death that’s intermittently interrupted by a comical situation that distracts us from our existential angst. The nightmare of ordinariness that we, as people, manage to turn into a drama of Greek proportions, full of tragedy and farce."
Moray Mair, Arts Blog Mutantspace, March 14th, 2014:
MORE CARS CLOTHES & CABBAGES
torstenschumann.bigcartel.com/
AUTOFOKUS, VIRTUAL REALITY EXHIBITION
artlandapp.com/3dshow-jarvis-dooney-autofokus/
JARVIS DOONEY GALERIE
www.jarvisdooney.com
www.facebook.com/jarvisdooney/
www.instagram.com/jarvisdooney/
www.twitter.com/jarvisdooney
www.patreon.com/JarvisDooney
TORSTEN SCHUMANN
torstenschumann.de/
instagram.com/torsten_schumann/
MICHAEL DOONEY
www.instagram.com/michaeldooney/
twitter.com/michaeldooney_

Friday May 11, 2018

On 1. May 2018 gallerist Michael Dooney sat down with artist Chris Fortescue to speak about his artistic practice and back story, to coincide with his solo exhibition at Jarvis Dooney Galerie in Berlin from Friday 27. April until Saturday 23. June 2018.
Chris Fortescue (b.1953) is a multidisciplinary artist working across sound, installation, animation, and photomedia, often incorporating found images and objects. A recurring enquiry in his work considers how technological developments affect the way we perceive images.
JARVIS DOONEY GALERIE
www.jarvisdooney.com
www.facebook.com/jarvisdooney/
www.instagram.com/jarvisdooney/
www.twitter.com/jarvisdooney
www.patreon.com/JarvisDooney
CHRIS FORTESCUE
haresbreath.com/
www.instagram.com/haresbreath/
MICHAEL DOONEY
www.instagram.com/michaeldooney/
twitter.com/michaeldooney_

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